Recent listening, current

Showing posts with label chico hamilton. Show all posts
Showing posts with label chico hamilton. Show all posts

Sunday, August 17, 2014

196. Buddy Collette / Live from the Nation's Capital (2000)

Buddy Collette was an originator on the West Coast jazz scene. He cofounded the Chico Hamilton Quintet and devoted his time to education, as well as composing and performing. This live disc from 2000 captures a Collette program for the ages, and its disparate contents cover the arc of his career. Performance and audio production are slick, typical of groups billed on the national stage. There is a lot to enjoy. Professionalism aptly describes the soloists, who play snappy, expressive lines that don't disrupt the cascading harmonies. Arrangements are by several including Collette. No matter the arranger, though, the playlist is unified by breaking the group into combos, building tension, and using the whole ensemble for bursts of energized dramatics. Nothing new under sun as far as big band goes (Gerald Wilson or Sam Rivers orchs are more my style) but the infectious bounce on tracks like "Mr. and Mrs. Goodbye" hold a warm sentimentality for a bygone era while others, like the Afro-Cuban rhythm of "Andre" or improvs on "Blues #4" keep the pace and make good use of variety. Live from the Nation's Capital isn't the most essential big band record in my collection, but it offers a lot of good stuff and demonstrates (in a very straight way) the wide array of styles that Collette worked in throughout his career.

Tuesday, April 2, 2013

69. Chico Hamilton Quintet with Eric Dolphy / The Original Ellington Suite (1958)

I'm a fan of pianoless jazz groups in general, and no offense to the piano. The dynamics of such a group change without a baby grand to rally around, and a skilled leader like Hamilton can take proceedings into interesting territory. Comping duties fall to guitarist John Pisano (who also has sweet leads) and cellist Nate Gershman. None of this stopped Pacific from losing the tapes and test pressing, rediscovered inside another Chico sleeve in Brighton, England. I'm happy it found its way to Michael Cuscuna who issued the CD, and kudos to the collector who found the test pressing. The music's just great, some of the most refreshing and easygoing jazz I've heard in a while. Dolphy's alto, flute, or clarinet anchor an intimately swinging mood on staples like "In a Sentimental Mood," "I'm Beginning to See the Light," or the talkative "It Don't Mean a Thing." But all the cuts are good. If you're not sold on the cello, listen to that last track, or maybe its warm and reedy tone on "Day Dream" which retains all the emotional import the melody should have, but lacks the sometimes corny sentimentality of a violin.