175. John Blake / A New Beginning (1988)

A New Beginning combines Blake's typically sonorous violin lines with elements of funk, soul jazz, and Brazilian and African rhythmical structures. The exciting music is buoyed by an interesting lineup featuring two keyboards, a drummer, and a percussionist. Gerald Veasley kicks out solid rhythms on the bass with a soulful and percussive technique that employs juicy slides and the occasional slap to emphasize his point. Between the deceptively catchy but challenging opener "Dream Lady" and the following "Samba Di Bahia" listeners get the idea that the group is capable of excelling in a variety of musics while maintaining a consistent level of performance and improvisation quality that is the album's hallmark. Dual keyboards (James Simmons, electric; Sumi Tonooka, acoustic) add to the bubbling rhythm section, Simmons for texture and Tonooka as the melodic foil for Blake. Not being familiar with Blake beyond his work with Grover Washington, I had lukewarm expectations when I picked this up, and was pleasantly surprised. It ends on a great tune, "Serengetti Dance."

78. Count Basie / Straight Ahead (1968)

Of all the ideas that floated by Basie in the '60s, this collaboration seems like the least evil of the bunch, and even good. Sammy Nestico composed and arranged all nine tracks. They're melodically inspired and tailored to match the strengths of the band, whose character is retained in quirky tunes like "Hay Burner" or the jumping "Magic Flea." At times the production seems superfluous (Basie's piano, or Marshall Royal's magnificent alto in "Lonely Street" inexplicably drenched in reverb) but compared to some of the other jobs this band did in the '60s (Beatles covers, or recording Disney tunes, to name just two), Straight Ahead is about as close as one can get to the "real" Basie Band without traveling back in time. Nestico recognized the strengths of soloists and much charm stems from their work. Like Eddie Davis on "Fun Time" or Eric Dixon on "Queen Bee." In fact, there's something to look forward to on each track, even if the drums sound like they're in another county. It isn't the first Basie I reach for, but it'll do.