Recent listening, current

Showing posts with label proper. Show all posts
Showing posts with label proper. Show all posts

Friday, December 6, 2013

155. Earl Bostic / Flamingo (2002)

Flamingo is a double disc compilation by the UK's Proper Records label, covering 1944 to 1951. The audio quality is very good. These groups are like many of the transitional orchestras of the 40s and early 50s. They feature veterans alongside torchbearers from swing to bop and beyond. In the early sides, we hear Bostic with Rex Harris, Cozy Cole, Don Byas, Tiny Grimes, and Lionel Hampton. Later, in his stripped down R&B orchestra, we hear a sampling of Jimmy Cobb, Wilbur Campbell, and Jaki Byard. Listen for the transition from gut busting alto to what became Bostic's trademark technique. In the 1949 sextet, tracks like "Filibuster" show repeated riffing with huge tone, but also a nimble fingered aptitude for clean, double-time runs through the scales, colored here and there with reed buzz. The lovely "Serenade" (Gene Redd on vibes) has a similar feel. Like Ben Webster, Bostic could play with arresting power, or sublime gentleness. "Flamingo," probably his best known track, has become the archetypal rendition, although it isn't much different in structure or appeal than other sides recorded by the group. I like the later sides best, but the early ones are priceless, too. 

Monday, September 16, 2013

139. Jimmie Lunceford / Strictly Lunceford (2007)

Today, Lunceford is lesser known than his peers. This four-disc set from Proper provides a good introduction to Lunceford's work across numerous record labels. Audio and notes in the accompanying 28-page booklet are commendable. Considering how good this band was, any neglect by record companies or listeners seems a real shame: Lunceford's band replaced Cab's at the Cotton Club, an appointment that was no mean feat. Then and now, they have a lot to offer. The famously diverse repertoire uses vocals, novelty songs, and barn burning dance music on par with other great orchestras. Lunceford's driving two-beat pulse appears in tracks like "Lunceford Special." I find it instructive to compare arrangements by Sy Oliver to those done by his successor, Billy Moore, as well as the other arrangers in the group. All crackle with originality. I love Oliver's muted brass ensemble in "Chillun, Get Up!" but Wille Smith's radical take on "Mood Indigo," replete with staccato phrases and soaring three-octave accompaniment on reeds and brass, isn't to be tangled with, either. On every track, the soloists are poignantly melodic and very sweet, like Eddie Tompkins on trumpet or the aforementioned Willie Smith on alto. The eagle-eyed (or eared?) listener will also spot the likes of Snooky Young and Gerald Wilson. Don't overlook this set!