126. Babs Gonzales / The Chronological Classics: 1947-1949 (2000)

Babs Gonzales was a fringe character in jazz, although he garnered a devoted fan base. I have a difficult time finding him a slot in my head, which I guess a lot of people must. So I'll file him with King Pleasure on one side and Screamin' Jay Hawkins on the other, not too far from Slim Gaillard and Betty Roche. The chief characteristic of his music is a bebop inflected vocal style somewhere between scat and vocalese, with occasional forays into conventional lyric singing. He had lots of friends on his records: Tadd Dameron, Art Pepper, Sonny Rollins, Bennie Green, and James Moody to name a few. This disc contains just what its title describes. Included are his legendary sides for Blue Note with Dameron on piano, as well as his work for the smaller Apollo and Manor labels (enjoy Green and Moody on Manor). Also here are eight sides recorded by Capitol, three of which were rejected. These groups contain a young Sonny Rollins, Art Pepper, J.J. Johnson, Roy Haynes, as well as Wynton Kelly, and Pee Wee Tinney on guitar. It's a motley bunch of tunes and dudes that are charming ("Running Around"), humorous ("A Lesson in Bopology"), or spooky ("Weird Lullaby"), but always good fun. Appreciate them for containing the work of other notables, or on their own merit. You won't find much like Babs anywhere else.

39. Joe Lovano Nonet / Live on this Day at the Village Vanguard (2003)

This is the way a live album should sound. I've never been to the Village Vanguard (one day) but the place looks nice and small. That said, Joe's nonet must have peeled the paint off the walls. How'd they all fit on the stage, with a baritone, piano, and drum kit? Talk about crowded, and the music is crowded, too. Real crowded... but it works. Think: "Subway after a football game crowded," or "Mingus Big Band crowded." The nonet is a small big band that wants to behave like a big small band, so when it gets rolling and all nine pieces try to turn the corner at once (listen to "Good Bait"), it comes nigh to spilling into the street. There's so much energy present, and the power of the whole group blowing at once is daunting and impressive. Steve Slagle on alto is a great foil for Lovano, and there are some really good solos by baritone Scott Robinson. In the midst of the melee don't overlook the group's rhythmic inspiration, which is provided by pianist John Hicks and drummer Lewis Nash. Lovano is a powerful leader in any context, but I've always felt he sounds most at home when leading a big group like this one.