Recent listening, current
Archived listening, 2013-2016
Showing posts with label jump. Show all posts
Showing posts with label jump. Show all posts
Tuesday, May 6, 2014
194. Louis Jordan & His Tympany Five / Choo Choo Ch'Boogie (1999)
Choo Choo Ch'Boogie is another terrific compilation of golden era R&B from the ASV/Living Era imprint. Jordan was a versatile vocalist whose act ran the gamut from vaudeville to jump to gut-busting blues. His smooth delivery and expertise with turning a phrase took dancers from cutting figures on the floor to falling down laughing. He was also an altoist with a nimble technique whose reserve of power drew comparisons to Earl Bostic. The set is a good representation of his repertoire from 1940-1947. In crisp audio, it includes famous numbers like his own "Caldonia," "Five Guys Named Moe," or "Let The Good Times Roll." But the playlist also has novelties like the hilarious calypso with Ella Fitzgerald (both ex-Chick Webb), "Stone Cold in de Market" or "What's the Use of Getting Sober (When You're Gonna Get Drunk Again)?" No stranger to the drink whose wife Fleecie twice tried to kill him by stabbing, Jordan sings these with confidence! His blues are followed by his alto, with nary a breath between verse and chorus. "Ration Blues," "Somebody Done Changed The Lock on My Door" and "Ain't that Just Like a Woman," show Jordan working his charm with sly double meaning and steamy intent. Fans of early rock and roll or Chicago blues will appreciate Jordan's work, and this is a fine place to start. Babs Gonzales, Slim Gaillard, King Pleasure, all similar.
Friday, September 13, 2013
138. Roy Eldridge / The Nifty Cat (1970)
Roy Eldridge as leader? Has the moon come down? He didn't lead much, didn't even record much after 1960, and I wasn't aware of this disc until spotting it at my library. The personnel is interesting. There's Budd Johnson whose skills in arranging, tenor and soprano sax are the perfect fit for Eldridge's brand of jump and small group swing. The bass is by Tommy Bryant, a musician of great skill and style, and one who seems underappreciated today. On drums is perennial session man Oliver Jackson, piano is 'Countalike' Nat Pierce, and perhaps my favorite man on the album is Benny Morton on trombone. His inventory of different sounds and licks is inexhaustible and the 'bone brings a touch of old school class to the proceedings (check him out on the lazy "Jolly Hollis," or "Ball of Fire"). "Cotton" is a deep and stormy blues carried by an appealingly mysterious piano and bass figure. Eldridge sings the humorous blues "Wineola," also getting a nice solo in the tune, and things really cook with Eldridge's "Ball of Fire," filled by a lot of riffing and Eldridge showing off his famous range. The closer is the title track with solid work from everyone. I especially enjoy Eldridge's first solo. There's a good mood throughout the set, and I'm thankful for this disc given how much the trumpeter worked but did not record. It's definitely worth finding.
Subscribe to:
Posts (Atom)