Recent listening, current
Archived listening, 2013-2016
Showing posts with label 1942. Show all posts
Showing posts with label 1942. Show all posts
Thursday, February 20, 2014
186. Duke Ellington / Sophisticated Lady (1996)
Sophisticated Lady is another cull from the legendary RCA sessions. It's a good one. Selections from the period also appear on the three-disc set, Never No Lament. But that, or Bluebird's Blanton-Webster box that spawned them all, are going to make one hell of a dent in your bankroll. On the other hand, you can buy Sophisticated Lady over at Amazon for the princely sum of one penny. I know, you have enough Ellington at home and will forgo this stage in the endless saga of repackaged jazz music. Still, a penny? I'll wait here while you go and get one. Back already? When it arrives in the mail, you'll appreciate the diversity of material and engaging sequence. Duke's best pieces are present, and there is a fair mixture of instrumental and vocal music. With Blanton at the wheel, it swings like a hammock. There is magic from start to finish. Like Kay Davis' electrifying vocal that makes "Mood Indigo," followed by Webster's whispering tenor. Tricky Sam Nanton's trombone should get you "In a Sentimental Mood," but beware the three sirens telling you "It Don't Mean a Thing if it ain't Got that Swing" (Joya Sherrill, Kay Davis, Marie Ellingon). The affair heats up to a frenzy courtesy of Jimmy B. Then Ray Nance sings "Just Squeeze Me," Al Hibbler chimes in on "Solitude"... Nothing to shake a stick at here, this is real music. This is what it all means. This is "it."
Labels:
1940,
1941,
1942,
1945,
1946,
1996,
al hibbler,
ben webster,
big band,
compilation,
duke ellington,
jimmy blanton,
joya sherrill,
kay davis,
ray nance,
rca,
swing,
victor,
vocal,
vocalist
Wednesday, April 24, 2013
91. Duke Ellington & His Orchestra / Never No Lament: The Blanton-Webster Band (2003)
This superb 3-disc set from Bluebird compiles all the master takes from 1940-42, plus a handful of juicy alternate takes. These sides are for the Duke catalog what the Complete Decca Recordings are for Basie. The comparisons should generally end there, but I just want to convey how important they are not only to the group, but to the notion of jazz itself. And finally, justice was done to this historic music in terms of packaging and audio quality (I say finally, but we've had this set for 10 years now), a clear improvement over previous digital offerings. If you already own RCA's Complete Duke Ellington set and you're only a casual listener, then there isn't much to entice you into repurchasing. But if you lean the way of the completist, or you're more serious about your collection, then you really need to have this on your shelf. It's many people's favorite Duke orchestra, and in hindsight the stand looks like a murderer's row of jazz legends. Of course you get Ben Webster and Jimmy Blanton, but there's also Cootie and Cat Anderson, Sonny Greer, Juan Tizol, Ray Nance, Rex Stewart.... the list goes on and on, without even getting into the vocalists. I'm not going to bother talking about individual tracks because we all have our favorites, and there isn't a lemon in the bunch. Above all, this music proves that eloquence is truly timeless.
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